The Emily Awards 2016

 

As I was ruminating on the books I read last year, I thought it might be fun to pick out my favourites and to briefly summarise what I liked about them. So without further ad0, may I welcome you to the first annual EMILY AWARDS! Drumroll…

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Best Novel: The First Bad Man – Miranda July
I don’t want to say too much, except that the first page made me gasp with surprise and laugh out loud, and that carried on happening throughout. As original and playful as Vonnegut. Like Vonnegut, I liked humanity more by the time I reached the final page. Read it.

The Godfather Award for Best Sequel: The Story Of a New Name – Elena Ferrante
I really liked My Brilliant Friend but I loved The St0ry of a New Name. I felt as though MBF did all of the grunt work of establishing place and characters (so, so many characters), so that TSOANN could really get going with telling a focused, atmospheric story. Lena and Lila are some of the most complex and fully realised female characters I’ve ever come across, and I felt myself copying Ferrante in everything I wrote, for a good while after reading this. Whoever the real Ferrante is, she gets female psychology. And she gets that it’s not always men we’re mooning over.

Best Hangover Read: The Girl on the Train – Paula Hawkins
I dislike the snobbery that surrounds genre fiction. Sometimes what I want from a book is to be wrapped up in its plot, to be immersed in its world and to be distracted from my headache and the smelly man in the seat next to me on my route back from a heavy night in Manchester. Plus, it’s always great to discover a flawed female protagonist.

Best Re-Read: The Sense of an Ending – Julian Barnes
I first read this in 2011, because it won the Man Booker prize. I read it on tubes and while walking and always because-I-thought-I-should. I was glad when it was over, and couldn’t see the point of it. When I re-read it this year (in order to teach it), it took my breath away. There was a philosophical undercurrent that I missed on first reading, and ruminations on ageing that I wasn’t ready to understand. This read taught me that enjoyment of a novel is all about timing, and that you perhaps shouldn’t read while walking if you’re hoping for a profound literary experience.

The Tom Waits Award for Experimental Fiction: Grief Is The Thing With Feathers – Max Porter

For the line ‘OH NO YOU DON’T, COCK-CHEEK’. But also for the beautiful rendition of romantic love in a way that celebrates friendship and childishness. For the fact that it is both poetry and prose, both terribly sad and terribly funny, and it has a massive crow in it.

Honourable Mention: Zadie Smith – On Beauty

 

Flash Fiction: Dark or Light

I wrote this piece yesterday based on a prompt from a friend: 300 words that take place in the time between putting a piece of bread in the toaster and it popping up. I wrote it on breaks between rereading Julian Barnes’ The Sense of an Ending (which makes much more sense, for some reason, at 27 than it did at 22). As a result, the characters came out a lot like Tony and Sarah West, from that novel.

Emily x

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Dark or Light

You’ve chosen well with Kerri, Mrs West mused, slotting two slices of granary into the toaster. Girls take after their mothers, you know, so she shan’t lose her figure. Dark or light?

Dark, I lied. Mrs West turned the dial from three to five.

The measure of a man is how he treats his mother, supposedly, she continued. Her dressing-gown was silk: a peacock feather pattern. Something her undeserving husband had picked up on a business trip no doubt; a guilt purchase, when exiting some sleazy spa. It billowed open as she moved around the kitchen balletically, plucking jam, butter, teaspoons. I tried not to look. How about your mother, Dominic, Mrs West was asking now, do you treat her well?

Oh yes, I began, hoping that something witty might materialise after. It didn’t; I left the sentence trailing upwards, a rollercoaster track without a dip. Mrs West’s hair was still bed tousled, I realised. But her lipstick was perfectly applied; pillar-box red.

Then she was looking at me. Hands on the counter (and I noted that her fingernails were pillar-box red too), her lips parted, her eyes daring me to confront her clavicle. I could smell burning. Is this what love feels like, I thought, burning? Or lust maybe, real lust, and my heart was pounding: I could hear my blood in my ears, and I wondered if Mrs West could too. Do it Dominic, I thought, she wants you to, there’ll be other Kerri’s, and I leaned forward an inch before Mr West had burst in and – BANG! – slotted a bullet into my skull.

Except of course not, but there the toast was, in its blackened glory, with Mrs West saying shall I ask you again Dominic, or are you hoping I’ll guess, is it marmite or jam?